“HOW CAN I BEGIN anything new with all of yesterday in me?” asks Adrian Glynn McMorran, in Firehall Arts Centre’s Chelsea Hotel: The Songs of Leonard Cohen.

WHAT DO YOU WISH for? In Studio 58’s production of the beloved Broadway musical Into the Woods, we see iconic fairy-tale characters co-existing in the same kingdom, each fighting to make their wishes come true, and experiencing the happy and not-so-happy results from each action. 

The iconic film has long been stamped into pop-culture legacy, and the recently released film, an adaptation of the 2017 hit Broadway musical, has been crushing it at the box office. Meanwhile, Broadway Across Canada’s touring production opened in Vancouver last night. Like the original film version, the show is hilarious and smart, but here, the storytelling is heightened through the magic of musical theatre, complete with splashy song-and-dance numbers and vibrant young cast members who offer their own takes on the story’s well-known characters. 

A STORY’S INTERPRETATION can evolve with time and culture—a fact made wonderfully evident in Gateway Theatre’s smart and inventive new production of Rodgers + Hammerstein’s Cinderella.

WHILE CHRISTMAS SONGS and candy canes are currently sweetening theatres across Vancouver, there’s one stage in town that dares to go down a different path.

THERE’S NOTHING LIKE a good traditional English pantomime during the holiday season, and Metro Theatre’s Sinbad! is exactly that. Pantos usually take a familiar story such as a fairy tale, add in a localized perspective, and revel in slapstick comedy, unapologetic word puns, drag, and a ton of audience participation—including booing all the bad guys. And Sinbad! is so bad it’s good!

WITH THE HOLIDAY season in full swing, an entertaining offering that will appeal to those who love nostalgic Christmas songs and high-quality singing is The Gingerbread Men: A Holiday Cabaret. This vocal showcase by The Gingerbread Men (TGM), a local quartet with a distinct 1950s-era flavour, makes for a fun and intimate evening, as though audiences are treated to a personal concert in a cozy living room. The suave and personable performers deliver their material with enthusiasm, style, and polished attention to detail in their vocals and movements. 

ELF: THE MUSICAL, based on the beloved Will Ferrell film, brings the holiday classic to life on stage in a style that tips its hat to the golden age of Broadway musicals. Think tap dance, comedy, romance, and a stylized parade of eye-pleasing sets and costumes, in a show that’s packed with crowdpleasing fun.

CONTEMPORARY THEATRE AND GREEK tragedy come together brilliantly in Hadestown, the Tony Award–winning musical currently in Vancouver thanks to Broadway Across Canada. In this retelling of the Greek myth of Orpheus and Eurydice, a talented, largely BIPOC cast performs poignant music and lyrics by Anais Mitchell, under director Rachel Chavkin’s imaginative concept. The show is captivating from start to finish and the story’s messages of undying love and hope hit with modern relevancy. 

THERE ARE FEW CULTURAL treasures as iconic as The Wizard of Oz. Thanks largely to the 1939 film, the characters, story, and quotes such as “I’ve a feeling we’re not in Kansas anymore” have been beloved to generations of people worldwide. CTORA’s classic production of the Royal Shakespeare Company’s The Wizard of Oz builds off all that nostalgia, bringing the popularized versions of its characters to vivid life and keeping the story’s messages on friendship and family alive. And yes, there are even little flying monkeys.