Trends may come and go, but as Elle Woods wisely reminds us, “being true to yourself never goes out of style.” This enduring mantra is a key reason why Legally Blonde—the story of Elle’s unexpected journey to Harvard Law School—continues to strike a chord with audiences. 

Theatre Under The Stars has long delighted Vancouver audiences with summer productions that transform beloved children’s stories into live musicals under the open sky. This year, the company brings Roald Dahl’s Charlie and the Chocolate Factory to life in a production bursting with heart and standout talent.

With Waitress, the Arts Club Theatre Company has whipped up something truly special as its season-closing musical. This production isn’t simply a replica of the acclaimed Broadway version; instead, under the direction of Ashlie Corcoran, it soars with its own voice, thanks to imaginative work from the creative team and a poignant performance by its star Rachel Drance. 

Royalty has arrived in Vancouver and the Queen Elizabeth Theatre is an appropriately named venue to host some divine monarchs this week. The smash Broadway musical SIX is in town, care of Broadway Across Canada, and on opening night, the queens ate and left no crumbs. Directed by Lucy Moss and Jamie Armitage, SIX is a pop concert–style retelling of the stories of the six wives of Henry VIII. Each queen performs a song detailing her doomed relationship with Henry to get the audience on their side and be crowned the leader of the group. There’s plenty of tea to spill, from messy divorces to messy deaths that include beheading. 

From the whistles in the “Prologue” to the haunting final visual, CTORA’s West Side Story is a stunning production of the iconic Broadway musical. Telling a story about young love set amid an ethnically divisive street-gang war between the “American” Jets and the Puerto Rican Sharks in 1950s New York, West Side Story continues to be relevant. Despite that, pulling it off is a huge challenge given the triple-threat skills, culturally appropriate casting, and expertise needed to fit all the pieces together.

Joseph and the Amazing Technicolor Dreamcoat, one of Andrew Lloyd Webber and Tim Rice’s best-known rock musicals, is back in Vancouver—and Metro Theatre’s version has some fresh hues. Director Christopher King has enacted a creative 1970s TV variety-show framing device, and through this, the unapologetically quirky, over-the-top production looks and sounds fantastic, with all the silliness that the musical is beloved for. 

In Every Day She Rose, a play by Andrea Scott and Nick Green, has some very important things to say, and chances are, these messages may seem foreign to some theatregoers. That’s likely the point. The dynamic between a gay male and straight female who are best friends isn’t new territory in storytelling. But what’s far less common is a version that isn’t idealized—one shaped by the imbalance of privilege between the two, and the quiet tensions that can arise from it.